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The Story of Cupid and Psyche
as related by Apuleius
EDITED, WITH INTRODUCTION AND NOTES, BY
LOUIS C. PURSER, Litt.d.
FELLOW OP TRINITY COLLEGE, DUBLIN
LONDON : GEORGE BELL & SONS : 1910
77^
DUBLIN:
PRINTED AT THE UNIVERSITV PRESS,
BY PONSONBY AND GIBBS.
PREFACE
As far as I know, there is no separate English edition
of the Cupid and Psyche of Apuleius ; and accordingly
the present endeavour to produce one must have all
the defects of a first essay in a diflScult field, super-
added to the many failings which can justly be laid
to the charge of my own deficiencies. Besides, the
strange and unclassical nature of the language
precluded my having the continuous assistance of my
colleagues, as it would have been too great a strain on
friendship to ask for their constant help in editing
such an out-of-the-way book. On these grounds
this edition begs for the utmost indulgence which any
reader can find it in his conscience to extend to
an attempt to break ground in a domain far away
from the beaten track. However, it is a pleasure to
express gratitude for a considerable amount of assis-
tance which has been most generously given me:
and I have to thank very sincerely my friends,
Mr. Henry S. Macran, Fellow of Trinity College, for
iv PEEPACE
reading the proofs of the Introduction and offering
many valuable suggestions ; and Mr. J. T. Gibbs,
Manager of the University Press, whose accurate
knowledge of English idiom has saved me from very
many errors of expression.
L. C. P.
Trinity College, Dublin,
January, 1910.
TABLE OF CONTENTS
PAGE
Introduction : —
Chapter I. On the Life and Writings of Apuleius, . ix
Chapter II. The Story of Cupid and Psyche, . . xliii
Chapter III. On the Style and Language of Apuleius, Ixx
Chapter IV. The Manuscripts and Editions, . . ci
Cupid and Psyche — Text and Notes, ..... 1-123
Excursus I. Milesian Tales,. ..... 125
Excursus II. Allegorical Explanations of the Tale, . 128
Excursus III. The Poems of Melbager on Love and the
Soul, 132
Index, .......... 135
COREIGENDA.
Page xcix 10 lines from end. For 6. 18 read 5. 18
Page 9, line 1 ff., first column. The ms. reading infirmi, as I now see, cannot be
defended. We should read mfimi. Compare a similar error of the copyist
of F in Met. 1. 8 (p. 8. 11 ed. Helm), where infirmare is given for what
was certainly infimare {as the preceding stiblimare shows).
Page 15, line 5. For Ludii read Ludiiim : and similarly in note.
Page 21, line 15 (first col.). After semper add, ' (which he takes from the Oxford
codex) '
Page 24, line 6 (first col.). For ' multitude of musicians ' read ' company singing
in harmony '
Page 29, line 27 (first col.). For oeulis read oculos
Page 54. Add to crit. notes ' 1 prouectae Buraian : porrectas F^ '
Page 84, last line (first col.). For comuUii read consuUis
Page 84, line 16 (second col.). For deormn read deartun
SOME "WORKS REFERRED TO IN THE NOTES UNDER
THE NAMES OF THE AUTHORS ONLY
Bbokee (H.), Studia Apuleiana. Berlin, 1879.
Beyte (Fb.), Quaestiones Appuleianae. Leipzig, 1888.
Gatsgha (Fb.), Quaestionnm Apuleianarum capita tria(Dissertationes
Philologae Vindobonenses vi, pp. 141-190). Vienna, 1898.
Kretsohmann (H.), De Latinitate L. Apulei Madaurensis. Konigs-
berg, 1865.
KoziOL (H), Der Stil des L. Apuleius. Vienna, 1872.
Leky (M.), De Syntaxi Apuleiana. Regensburg, 1908.
LuTjoHANN (Chb.), Kritische Beitrage zu Apuleius' Metamorphosen.
Kiel, 1872.
NEUE-WAfiENEE, Formenlehre derlateinischen Sprache von Friedrieh
Neue. Dritte sehr vermehrte Auflage von C. Wagener.
Berlin and Leipzig, 1892-1902.
PiEOHOTTA (I.), Curae Apuleianae. Warsaw, 1882.
BoNSCH (H.), Itaia und Vulgata. Marburg, 1875.
SoHALLEE (W.), De fabula Apuleiana quae est de Psycha et
Cupidine. Leipzig, 1901.
Weymann (C), Apulei de Psyche et Cupidine fabula adnota-
tionibus eriticis instruota (JJndex leetionum quae in Universitate
Friburgensi per menses aestivos anni mdocoxci habebuntur).
Freiburg, 1891.
0 latest-born and loveliest vision far
Of all Olympus' faded hierarchy !
Fairer than Phoebe's sapphire-regioned star,
Or Vesper, amorous glow-worm of the sky ;
Fairer than these, though temple thou hast none,
Nor altar heaped with flowers ;
Nor Virgin- choir to make delicious moan
Upon the midnight hours.
Keats, Ode to Psyche.
INTRODUCTION
CHAPTER I
ON THE LIFE AND WRITINGS OF APULEIUS
Ees pertricosa est, Coiile, hellus homo.
Mautial.
Though Apuleius was an important man in his day,
and exerciKsed a considerable influence on the literary-
style of subsequent writers,' very little is known
about his life, except the circumstances surrounding-
his trial for magic and a few facts we can gather
from his own writings. The references to him in
later writers are mainly confined to his supposed
1 Christodorus (circ. 500 a.d.) mentions (Anth. Pal. 2. 303-5)
a bronze statue of Apuleius as having been in the Zeuxippus at
Byzantium, in these terms —
Kttt voep^s a. (m. rec).
' apparel ' cp. 2. 9 : 11.8: Liv. 34. 7. 9
mimditiae et ornatus et cultus, haee
femmarum insignia sunt : himc mun-
dum muliehrem appellarun t maiores
nostri. Apuleius also uses it in the
sense of 'appliances for' 6. 1 operae
messoriae mundus omnis. Tn Apol. 13
fin. Apuleius uses the word apparently
with both the above meanings, but the
first doubtless predominates maius pia-
■culmn deeernis speculum philosopho quam
Cereris mundum profano videre, where
mundum appears to be glossed by orgia
a few lines before.
qnod pinnis] F^, so far as I can
gather from Helm's note, seem to have
read qui {q). But as in line 7 we have
guod, it is much more likely that
Apuleius wrote qmd here, where the
neuter malum was so close at hand.
Confusions of abbreviations of relatives
are most common.
lonis] an archaic form found in
Ennius' well-known list of the twelve
great gods, luno, Vesta, Minerua, Ceres,
Diana, Venus, Mars, \ Mercurius, lovis,
Neptumus, Volcanus, Apollo: and often
in the Fabulae of Hyginus e.g. 195 init.
Zouis, Neptimus, Mercurius in Thraciam
ad Syrieum regem in hospitium uener-
imt : also 275 init. Compare too
Petron. 47: 58.
fluminaque] The reading Jlumina
has been retained with some hesitation.
2fo doubt rivers, as well as all other
things, cannot withstand the, fires of
Love, and editors refer to 5. 25 sed miiis
Jltmius in honorem dei scilicet, qui et
ipsas aquas urere consueuit . . . cam , . .
herbis exposuit. But there is little
about the monster here depicted that
would lead to the idea that he was a
consuming fire, as^mma et ferro is the
stock phrase of an enemy spreading
desolation in which the flamma is not
emphasized : and Jlumina is a very
inadequate antithesis or pendant to
Stygiae tenebrae. Though it has met
with little favour from recent editors, I
incline to the old and obvious emen-
dation luminaqm, and would refer
the word to the lights of the upper
world, the sun, moon, and stars. L.
Miiller suggested fulmina and Kohde
culmina. Helm retains Jluminaqtie, as
does Hildebrand. In defence of the very
slight divergence from strict grammar
he compares 6. 10 felix luro ego quae
uocabor auia et uilis ancillae Jilius nepos
Veneris audiet.
pigens] So ^ ; ' chagrined,' dis-
appointed and vexed at the reply of the
oracle. F has piger, but er in an
erasure by a late hand. This would
make tolerable sense : the king returned
slowly and sadly (piger tristisque).
But the reading of ip (pigens) points to
the same reading having been originally
in F. The alteration was perhaps made
on account of the extreme rarity of the
present participle. We do not find it
elsewhere except in », very late poem,
see Bahrens P. L. M. 5. p. 358, 1. 13,
where it is more than doubtful, as we
should probably there read pigrens with
Cuper.
IV, 33]
CUPID AND PSYCHE
15
■enodat infaustae. maeretur, fletur, lamentatur diebus plusculis.
■sed dirae sortis iam urget taeter effectus. iam feralium
nuptiarum miserrimae uirgini ehoragium struitur, iam taedae
lumen atrae fuliginis cinere marcescit, et sonus tibiae aygiae
mutatur in querulum Ludii modum cantusque laetus hymenaei s
lugubri finitur ululatu et puella nuptura deterget lacrimas ipso
suo flammeo. sic adfectae domus triste fatum cuncta etiam
■ciuitas congemebat hictuque publico confestim congruens
■edicitur iustitium.
4 zygiae Beroaldua : gygie F : gigie tp.
6 Ludium modum Jahn (Lydium m. vulg) ; ludmnodum F : ludimodum (j> :
ludiu»odum, sed delete odum, i.
enodat] ' unfolds.' In 5. 30 arcttm
■enodet means to ' unstring the bow.'
maeretuT, fletnr, lamentatur] Im-
personal ; for flelur cp. Ter. Andr.
129. Cp. Ennius Ann. 26 maerentes
flentes lacrimantes ac miserantea.
nrget] ' becomes pressing,' cp. Cic.
Att. 13. 27. 2 nihil enim urget.
choragiam] Strictly tbe bringing
out of a chorus, and the ' get-up '
"that was necessary for the performers.
Here it means the whole arrangements
and appurtenances of the ceremonial.
Perhaps we might translate ' pageantry '
or ' ceremonial.' Cp. 2. 20 in ipso
momenta choragi funeris (or funebris),
* at the actual time of the funeral cere-
monial.' The elaborate passage which
follows, which blends the ideas of bridal
and funeral, is suited to the artificial
genius of Apuleius, and is well done.
The heroine who is to be sacrificed to
the monster in such tales as this is
always adorned as a bride.
Fulgentius in his Expositio sermonum
antiquorum (§ 36) has this section
(Helm, p. 121) Quid sit coragium ?
■Coragium dicitur uirginale funus, sieut
Apuleius in metamorphoseon ait : ' Cor-
agio ita perfecto omnes domttitionem
parant.' This is a mixture of three
passages ; viz, this passage : 34 init.
perfectis igitur feralis thalami . . .
aollemnibus: 35 domuitionem parant.
The interpretation given by Fulgentius
is derived solely from the present
marcescit] ' burns faint.' Cp.
Panegyr. Vet. 11. 17 marcentem iam
cupiditatis meaejlammam .... exeitasti :
A poet quoted by Diomedes (p. 450,
28, ed. Keil) has marcido dies sole pallet.
zygiae] This is the fine emendation
of Beroaldus for gygie of the mss. To
read Gygiae (i.e. Lydian, from Gyges,
King of Lydia) or Fhrygiae either intro-
duces tautology, or at any rate it gives
no allusion to marriage, and marks no
contrast with the succeeding words.
Zvyiij is an epithet often applied to
Hera, as the goddess who presided over
marriage; cp. 6. 4 quam (sc. lunonem)
eunctus oriens Zygiam ueneratur.
querulum Lndii modnm] cp.
Florid. 4 init. Aeolion simplex siue
lastium vaHum seu Ludium querulum
seu Fhygium religiosum seu Dorium
tellicosum.
sic adfectae] ' in this sad plight,'
cp. 1. 7 utpote ultime adfeetua : 3. 27 sic
adfeetus : Seneca De Ira 1. 11. 5 Fabius
adfectas imperii uires recreauit. The
word is also used absolutely to express
'illness,' cp. Prop. 2. 28. 1 luppiter,
adfectae tandem miserere puellae ; Cic.
Phil. 9. 2.
16
CUPID AND PSYCHE
[IV. 34
34 Sed monitis caelestibus parendi necessitas misellam
Psychen ad destinatam poenam efflagitabat. perfectis igitur
feralis thalami cum summo maerore soUemnibus toto pro-
sequente populo uiuum produeitur funus et lacrimosa Psyche
6 comitatur non nuptias, sed exequias suas. ac dum maesti
parentes et tanto malo perciti nefarium f acinus perficere
cunctantur, ipsa ilia filia talibus eos adhortatur uoeibus :
" Quid infelicem senectam fletu diutino cruciatis ? quid
spiritum uestrum, qui magis meus est, crebris eiulatibus
10 fatigatis ? quid lacrimis inefficacibus ora mihi ueneranda
foedatis ? quid laceratis in uestris oculis mea lumina ? quid
canitiem scinditis ? quid peetora, quid ubera sancta tunditis ?
haece sunt nobis egregiae formonsitatis meae praeclara prae-
13 haece sunt Micbaelis : haeo erunt Tip, quod retinet Helm, interrogationis
signo post praemia addito.
34; uiunm producitnr funns] ' the
living corpse is led forth.' Funus is
used of the corpse, but generally with
the accessory notion of the solemnities
of burial: cp. Prop. 1. 17. 8 Saeccine
parva meunt funus arena ieget? How-
ever, in Verg. Mn. 9. 491 aut quae
nunc artus auolsaqiie membra et fumis
lacerum tellus halet ? There seems no
further idea than ' corpse.' The
regular word for conducting a funeral
is produeere (irponefMreiv) : cp. Verg.
iEn. 9. 487 ; Luoan 2. 298 : Stat. Silv.
2. 1.21.
non nuptias, sed exseqnias snas]
The editors compare Manilius 5. 545 S
(of Andromeda) Sie Symenaetis erat ;
solataque publica damna Friuatis : laeri-
mans ornatur uictima poenae, Induitur-
que sinus non haeo ad uota paratos,
Virginis et uiuae rapiiur sine funere
funus. The antithesis, yet comparison,
of marriage and death is common in
Greek poetry : Anth. Pal. 7. 182, 188,
712, Soph. Antig. 813 ff., Eur. Heracl.
679 f., Ovid, Heroid. 21. 172 et face
pro thalami fax mihi mortis adest.
Naturally then it penetrated to Greek
fiction, Achill. Tat. 1. 13 fin. (lament of
a father over his youthful son) TroVf yuoi,
TeKVOVf yafie7s ; irfjre (Tov Buato robs
yd/xovs . . . Tcitpos fi4v ffoi, tskvov, A
Qd\afios' ydfios S' d doLvaros' dprjvos S'
d {ifi4vai0St 6 Se tcwKVThs Toivydfuav oinot
(pSai .... 3 iroVTjpas raurijs SaSovxias'
Tj vv^ certe
cum reformatur (So Eoaldo and Eyss.
for res ortatu or ornatti) uideam. The
passage in the 'Onos (c. 11) is Sei^oi'
fiot fiayyai/eiovtrav fi ^sTafiop^oifievTiv
r^v Ssffiroivav' irdXat yhp t^s 7rapaSiJ|oiA
TaiTijs deas 4-7ridvfjiu. The reading of
Helm and Leo may possibly be right,
invocat, certe cum res ornat u sura palpebrarum coactis hoc ast\i puellam appellant:
" tu quidem felix et ipsa tanti mali ignorantia beata sedes
2 ceohres F (marg.) <(> : colores F.
5 turbalae Helm conj. ; turbatis Ff.
3 fallacias
at Delphi, the rocky Pytho. Mepiirvop 4s fipaaiv toD ati/naros.
clamauit] ' chanted forth,' ' cried tua est existimatio] ' it is for you
aloud': cp.Cic. Fin. 2.65 cfemaiMirtMs. to consider.' Helm compares Liv. 34.
oiroumsecus] ' round about,' 'in 2. 5 utrum e republiea sit neene id . . .
the neighbourhood ' — a word only used vestra existimatio est, and Plant. Cas.
by Apuleius, 2. 14 fin. ; 11. 16. 292 Optio haec tua est, in order to
18 blandis alimoniarum obsequiis] defend est against Eyssenhardt's emen-
' with the, enticing allurements of these dation esto.
V. 19]
CUPID AND PSYCHE
49
salute soUicitis adsentiri uelis et declinata morte nobiscum
secura periculi uiuere an saeuissimae bestiae sepeliri uisceribus.
quodsi te ruris huius uocalis solitudo uel clandestinae ueneris
faetidi periculosique eoncubitus et uenenati serpentis amplexus
delectant, certe piae sorores nostrum fecerimus." 5
Tunc Psyche misella, utpote simplex et animi tenella, rapitur
uerborum tam tristium formidine : extra terminum mentis suae
posita prorsus omnium mariti monitionum suarumque promis-
sionum memoriam effudit et in profundum calamitatis sese
praecipitauit tremensque et exangui colore lurida tertiata uerba 10
semihianti uoce substrepens sic ad illas ait :
19" Vos quidem, carissimae sorores, ut par erat, in officio
uestrae pietatis permanetis, uerum et illi, qui talia nobis
adfirmant, non uidentur mihi mendacium fingere. nee enim
umquam uiri mei uidi faciem uel omnino cuiatis sit noui, sed 15
11 semihianti y : sem | anti F I
rec).
t i hy hy
eraso) 0 : semianti f : sem anti ^ ( man.
bestiae sepeliri nisceribns] This
recalls the powerful line of Lucretius
5. 993 Viua uidens uiuo sepeliri uiseera
husto, on which Munro gives many
parallels. In Grimm's tale of Bearskin
(ii. 68, ed. Bohn) the second sister says,
'Beware! Bears like sweet things; and
if he takes a fancy to thee, he will eat
thee up.'
rnris hnins uocalis solitndo] ' the
loneliness of this voiceful country-side.'
uel . . . eoncubitus] ' or foul and
dangerous commerce in a secret amour.'
piae sorores nostrum fecerimus]
Possibly Blumner is right in adding nos
before nostrmn.
Tune Psyche . . . ait] ■' Then poor
little Psyche, in the simplicity and
softness of her little mind, is swept
away hy the teiTor of this dreadful
story. Driven out of her senses, she
threw to the winds every single injunc-
tion of her husband and promise of her
own, and plunged herself into an abysm
of disaster. Trembling and pale and
bloodless, she pours out confusedly with
half-open utterance words hy terror
tripled, and thus addresses them.' For
simplex and tenella cp. what Cupid
says, c. 11 pro genuina simplieitate
proque animi tui teneritudine.
tertiata] The word iertiare means
'to do for the third time'; it is especially
applied to ploughing a field for the third
time. Psyche says each word three
times in her terror. The editors refer
to Servius on Mn. 3. 314 Cato ait uerta
tertiata et quariato quempiam dicere prae
metu. She did not stammer — a stam-
merer speaks dimidiatia verbis : cp. St.
Jerome, Epist. 22. 29 {balbutientem
linguam in dimidiata uerba moderattis)
— but she spoke with confused and
hysterical volubility, repeating words
three times over.
19 in officio . . . permanetis] cp.
Cio. Att. i. 3. 1 qtiod uerita sit ne Latinae
in officio non manerent.
cuiatis] This uncontracted form is
found in ante-classical (e.g. Plautus,
50
CUPID AND PSYCHE
[v. 19
tantum noeturnis subaudiens uocibus maritum ineerti status et
prorsus lu deserentes ipsam.
54
CUPID AND PSYCHE
[v. 21
sibi etiam eximie metuentes, flatus alitis impulsu solito pro-
uectae super scopulum ilico pernici[o] se fuga proripiunt
statimque conscensis nauibus abeunt.
At Psyche relicta sola, nisi quod infestis Furiis agitata sola
6 non est, aestu pelagi simile maerendo fluctuat et, quamuis
statuto consilio et obstinato animo, iam tamen facinoW manus
admouens adhuc incerta consilii titubat multisque ealamitatis
suae distrahitur affeetibus. festinat differt, audet trepidat,
diffidit irascitur et, quod est ultimum, in eodem corpore odit
10 bestiam, diligit maritum. uespera tamen iam noctem trahente
praecipiti festinatione nefarii seeleris instruit apparatum. pox
2 pernici se f : perniciose F^.
6 faeinori f : Jacinosu Fip : facinori mas tj> (ex corr. ree.) : facinorosas v.
prouectae] So Bursian for porrectae
of the mss. This can hardly be de-
fended by 7. 1 precibus adCaesarisnitmen
porrectis, ' prayers being offered to the
gracious will of Caesar,' this sense of
' presenting ' or ' tendering ' being
fairly common (see the Dictionaries);
nor by the passage quoted by Helm,
2. 10 cum sim paratus uel uno sauiolo
interim rea'eatus super istum ignem
porrecius assari, where the word has its
most ordinary meaning of ' stretched
out.' Possibly we should read porro
aetae.
nisi quod . . . non est] ' save that
no one is alone who is driven along by
baleful frenzy ' — no mean expression.
aestu pelagi simile maerendo fluc-
tuat] ' is tossed to and fro in her tears
like the surging sea.' For the gerund
maerendo (= maerens) F. Norden admirably
compares Verg. jEn. 2. 6 quis talia
fando Temperat a lacrimis. It is not
infrequent in Livy, e.g. 2. 32. 4
(sumendo), where see Weissenborn. On
the passage from Vergil, Coningtou
notes that in the imitation by Silius,
2. 651, the present participle is used,
quis trisHafata piorum Jmperet euoluens
laerimis. Simile is the ace. used as an
adverb : cp. c. 1 init. snaue recubans
. . dulee eonquieuit : c. 28 irata
et quamuis . . . consilii titubat]
' and although her purpose is fixed and
her mind determined, yet when she
sets her hand to the work, still irresolute
in purpose, she falters.' The logical
contradiction contrived in this sentence
is admirable both in rhetoric and
psychology.
multisque . . . maritum] 'and is
distracted by the many impulses of her
sad state. She hurries and postpones,
is bold and fearful, is irresolute and
indignant, and, what is at the basis of it
all, though he is one and the same in
person, she abhors the beast, but loves
the husband.'
uespera . . . noctem trahente] cp.
11. 23 sol curuaius intrahebat uesperam^
and Ov. Met. 1. 219 iraherent cum sera
crepuscula noctem,
nox aderat et maritus aderat]
' Night was come and the husband was
come.' Possibly we should read adierat
for the second aderat. Price proposed
adueneratf which is read by Helm.
Certainly we want a pluperfect, as
descenderat shows.
V. 22]
CUPID AND PSYCHE
55
aderat et maritus aderat pri[m]usque Veneris proeliis uelitatus
.
{Veneris familiam male audire) passes
into the oratio recta (quod ille . . . tn
. . . aeceaaeritis).
uerbosa et satis curiosa] ' gabbling
and vei-y meddling'- cp. 5. 23 init.
Note alliteration.
flli lacerans existimationem] ■ tear-
ing ber son's reputation to pieces': cp.
10. XGJidem suam coram lacerari; Suet.
Caes. 75 fin. carminiius maledicentis-
simis laceratam existimatinnem . F bas
fili", tlie " by tbe original hand ; and so
has tp. Pontanus suggests inlaeerans,
but that word is not found. Possibly
the " is a remnant of male, tlie -le
having dropped out owing to the
proximity of la{cerans).
ganniebat] ' was wliispering in
Venus' ear ' ; elsewhere Apuleius uses
the iicous. cp. 2. 2 incertum quidnam in
atirem mulieris obganniit, and Afranius
283 (Eibbeck) gannire ad aurem nun-
guam didici dominicam. Hildebrand on
3. 20 rightly draws a distinction between
ganire and gannire. The former is
'to chatter'; but the latter — originally
meaning a dog's growl (cp. Lucr. 6.
1070, Varro L. L. 7. 105 multa ab
animalium tiocibus tralata in homines
. . . Flauti " Gannit odiosus omni toti
familiae" cp. Non. 450), or the squeal
of a fox, Carm. de Philomela 69 Eite
canes latrant, fallax uulpemla gannit
(cp. Corp. Gloss. 5. 204. 30)— is used
of muttered half -inarticulate utterances
by human beings ; cp. Terence Ad. 556
Quid ille gannit ? quid uolt (' what's be
muttering about?'); Catull. 83. i gannit
et obloquitur (' she grumbles and rails ').
Thus, 4. 1, the robbers indicate to tbe
friendly villagers secretis gannitibua that
the goods they had were stolen ; 2. 15
nocturni gannitua ; 3. 20 nobis ganni-
entibus (where, however, the reading
is doubtful) ; 2. 11 talibua ohgannitis
sermonibua inter nos ; 10. 22 duloes
gannitus of the murmuring endearments
of lovers (cp. Juv. 6. 64, and the
glosses ffKv^a and \ayveiei, Corp,
Gloss. 2. 32, 24 and 23); 6. C. gannitu
eonatrepenti of the chirping (jargoning)
of sparrows (cp. Gloss. 4. 603. 1).
solidum] goes with irata, 'soundly,'
'really,' 'thoroughly': cp. 3. 15formido
aolide, 'I have a real (or ' wholesome')
fear'; Plaut. Trin. 892 hie homo aolide
sycophantaat, ' a thorough swindler.'
For the neut. adj. used adverbially
cp. 6. 2 longum exclamat ; 6. 16 renideni
exitiabile.
70
CUPID AND PSYCHE
[v. 28
inuestem sollicitauit, siue ilia de Nympharum populo seu de
Horarum numero seu de Musarum choro uel de mearum
Gratiarum ministerio."
Nee loqiiax ilia conticuit auis, sed : " nescio," inquit,-
6 " domina : puto puellam — si probe memini, Psyches nomine
dicitur — efflicte cupere."
Tunc indignata Venus exclamauit uel maxime: "Psychen
iUe, meae formae succubam, mei nominis aemulam, si
7 ml Pip : per f.
inuestem] ' boy,' as opposed to
uesticeps, ' a man ': cp. Apol. 98 inues-
tem a nobis aecepisii, itesticipem ilieo
reddidisti. The commentators take
ttestis in these words to mean * the
beard,' a sense in which it is found in
one poetical passage in Lucretius 5. 674
^ec minus in certo denies cadere imperat
aetas tempore et impuiem molli pubeseere
tieste (covering); and Servius professes
to find this meaning in Vergil Mrs.. 8.
659 {aurea caesaries illis atque aurea
uestis) " hoe est barba: unde contra
inuestes dicimus imberbes, unde est [160]
tunc mihi prima genas uesiibat jiore
iiiuentas " (cp. his note on 6. 643) ; and
this view was also held by Nonius
(p. 45, 23) {nulla pars corporis pilat)
and the Glosses. We must apparently
acquiesce in this interpretation, though
naturally we should think of the toga
uirilis and the dress of grown-up years:
ep. Macrob. Sat. 3. 8. 7 Romani pueros
et piiellaa nobiles et inuestes camillos et
Camillas appellant, where the original
meaning of ' beardless ' would seem to
have disappeared.
Hympharum . , . Horarum . . .
Uusarum . . . Grratiarum] For the
connexion of Venus with the Nymphs
and Graces cp. Hor. Carm. 1. 4. 6, 7.
The Horae were goddesses of the
seasons (more especially of the spring-
season), and we find their altars beside
those of Aphrodite (Paus. 5. 15. 3).
They adorned the goddess when she
rose from the sea, according to the
Homeric Hymn 5. 5-15 — a duty else-
where attributed to the Graces (Hom.
Od. 8. 364). The Muses and the Graces
are connected as goddesses of the chorus :
cp. Hom. Hymn 27. 15, and Hesiod,
Theog. 64.
domina] 'madam'; cp. c. 31.
puto puellam . . . efflicte cupere]
The Gavia talks slowly and hesitatingly.
' I think it is a girl — if I recollect
rightly she is known by the name of
Psyche — that he is desperately in love
with.' It is fairly certain ihat puellam
is the object of cupere. We should
certainly expect the subject to be
expressed ; and Traube proposes to read
cum perire for cupere. Perhaps we
might suppose eum (») to have fallen
out before eu of cupere. Rosabach adds
ilium after puellam. The form efflicte is
rare. Besides this passage, the only
place it is found is Syramachus, Epist.
1. 90. Elsewhere Apuleius uses efflictim,
e.g. 1. 8; 3. 16; 0. 6; 5. 23; Apol.
79. 100 ; and the instances are so
numerous that one is tempted to suppose
that the mss. reading here has arisen
from efflictim eum cupere.
exclamauit uel mazime] cp. c. 29
quam maxime boans. Liitjohann trans-
poses uel maxUne before indignata. A
recent hand in F has altered uel into
per. Beck suggests ut.
meae formae succubam, mei nominis
aemulam] ' the supplanter of my
Y. 29]
CUPID AND PSYCHE
71
uere diligit, nimirum illud incrementum lenam me putauit,
cuius monstratu puellam illam cognosceret."
29 Haec quiritans properiter emergit e mari suumque
protinus aureum thalamum petit et reperto, sicut audierat,
aegroto puero iam inde a foribus quam maxime boans : 6
" honesta," inquit, " haec et natalibus nostris bonaeque tuae
frugi congruentia, ut primum quidem tuae parentis, immo
dominae praecepta calcares nee sordidis amoribus inimicam
meam cruciares, uerum etiam hoc aetatis puer tuis licentiosis
1 si leere F, sed vox si postea, fortasse eadem manu, deleta : om. si vKuicf (Pausaniaa 7. 4. 4). For -rula
Eohde suggests insula ; but symmetry-
would in that case probably hare urged
Apuleius to add urU after the next
guaCf Sind^uuius after qui — not to speak
of the improbability of the conjecture.
Conjectures which introduce the adjec-
tive querulus, such as quae querula
(Oudendorp) or quae querulo impair
the stateliness of the address, which is
as much strained as it can be by the
word uagitu ('infant's cries').
Carthaginis] This refers to the
goddess Tanit, who was worshipped as
liea CaeUstis by the Komans. She
was identified with luno, and in one
inscription is styled luno Caelestis
(C. I. L. viii, 1424). She is the Juno
of Vergil and Horace (Carm. 2. 1. 25).
On a coin of Sept. SeveruB, reproduced
in Eoscher's 'Lexikon der Mythologie,'
iii, p. 613, she is represented as riding
on a galloping lion. "When Elagabalus
married her to hia god from Emesa, the
only dowry he accepted was two golden
lions (Dio. Cass. 79. 12). See the
articles on luno Caelestis in Eoscher,
op. cit., and on Caelestis in Pauly-.
"Wissowa iii, 1248 ff. (the latter by
Cumont) . Her shrine was in the citadel
of Carthage (Ovid, Fast. 6. 45). She
appears last in Ulpian's list (Frag. 22.
6, p. 597, ed. Huschke) of divinities
whom it was permitted senatus consultii
eonstiiutionihus prineipwn to nominate
as heirs ; but it ia uncertain when this
privilege was accorded her.
sine] so the old editors. F gives
seues ; and (f> senes. F occasionally adds
* wrongly at the end of words, e.g. 5. 7.
praeceptis ; 5. 20 meius ; and also puts
« for ! ; 6.3. optitne for optimi.
prope ripas Inachi] Inachua was
the river of Argoa, and Hera was
pre-eminently 'Argive': cp. II. 4. 8
"Hpi; t' 'Apyeiti. The Heraeum at
Argoa was especially celebrated (Paus.
2. 17).
reginam deorum] Juno, as wife of
Jupiter Eex Deorum, is Segina deormn,
Jupiter, Juno, and Minerva were the
Capitoline triad of divinities. On
luno Segina, see Eoscher 'Lexikon'
iii, p. 600. Apuleius combines the
Argive Hera and the Capitoline Juno ;
as his age was the age of syncre-
tism.
oriens Zygiam . . . occidens Lucinam]
By the East Apuleius means the eastern
Mediterranean lands, which were mainly
Greek-speaking, and by the West the
western lands, which were Latin. For
Zygia (cp. tibiae zygiae 4. 33), a fairly
common epithet of Hera as goddess of
marriage, cp. ApoU. Ehod. 4. 95, 96
ZeCs avrhs 'O\iifj.inos optctos €trr t frequenter irati, caputque quatiens et ascalpens
7 haesisli Eohde : habesisti Fij) : adhaesisti v. 9 renitentem !(p (al. man.) :
retinentem F()>. 11 solent f : solS; Ftp. frequenter F (in niarg.
furenter) : furenter (/> : feruenter v.
famulitione] Apuleius uses this rare
form also in 2. 2. The more usual fonn
would be famulUio from famulUium
(cp. 8. 22 ; Apol. 17, and famulitium
Veneris in Mart. Capell. 804) ; and this
is read hy Jahn.
Consuetude] cp. Tristities and Solli-
eitudo in c. 9, and Sobrietaa in .5. 30.
These abstractions regarded as divinities
are conceived in the style of the old
Roman religion. They are the only
feature in the -whole story which makes
it look like an allegory, which it probably
is not. See Introduction, chap. ii.
labores circa] cp. Apol. 99 fin. Uberali-
tatem circame; 9S cirea puerviii pielatem.
tuas inquisitiones] ' searchings for
you.' For the possessive pronoun
equivalent to the objective genit., cp.
Ter. Phorm. 1016 negtie negligeniia tua
neque odio id fecit iuo quoted by Eoby
§ 1315; also Cic. Att. 7. 9. i " Sabe
meam rationem." Sabe tu noslram.
Orci cancros] Usually interpreted
' the claws ' of Orcus, somewhat like
mediis Orci faucibus 7. 7 fin. ; cp. 7. 24
init. mediis Orci manibus extraetus :
and we find cancer explained in the
Glosses forceps (see Index, 6, p. 172).
Orcus is supposed to be some kind of
a monster with claws like a crab.
Hildebrand (after Beroaldus and
Scaliger) takes cancros here = cancellos
' barriers ' : cp. Fest. 46 Cancri dice-
bantur ab autiquis qui nunc per deminU'
tionem cancelli, and frequently in the
Glosses (see Index to the Glosses). But
this seems less satisfactory. For haesisti
the mss. give habesisti, corrected by the
old editors to adhaesisti, by Oudenilorp
to obhaesisti, and by Rohde to haesisti.
9 laetissimum cachinnum extollit]
'raises a laugh of wild joy.' Most
editors adopt htissimum, the reading of
the inferior mss., as the next clause
seems to contradict the idea that Venus
felt joy. But surely she did, now
that her rival was dragged before her.
Vliet ingeniously alters et into set,
which is an improvement, but not
absolutely necessary. For latissimus,
op. 10. 16 risu ipse qmque latissimo
adusque intestinormn dohrem redactus
(where the reading is certain).
frequenter irati] ' those who are
often in a passion.' It is only those
who are frequently in a rage who
would laugh in such a case. The
reading of v, it is appropriate that
it should be celebrated in the country.
The point of Venus is that the marriage
was undesirable, and was accordingly
contracted in a secret out-of-the-way
place, neither of which considerations
would necessarily render a marriage
illegal ; but serious inequality of rank,
such as would exist between people of
senatorial rank and freed persons, ren-
dered marriages between such persons
null and void (Ulpian Frag. xiii.).
Witnesses were usual in a formal
marriage ceremony ■ cp. Tac. Ann.
xi. 27 adhibiiis qui obsignarent ; Juv.
10. 336 cum signatoribus auspex : and
the consent of the father was imperative
in the case of those who were not sui
iuris (Dig. 23. 2. 2), and Cupid was of
course jOMer ingenuus et inuestis (5. 281).
It is not plain who was regarded by
Apuleius as father of Cupid. Not
Mercury certainly, nor Mars (the latter
is his uifricus, 5. 30) : cp. note to c. 6.
lO inuolat earn] For the omission
of the prep. cp. 2. 32 latrones inuolo :
6. 24 inuolauit capressum : Lucan 6. 588
quos Caesaris inuolef artus.
diloricat] 'rends asunder her dress
into many pieces.' This is a rare word,
found, however, in Cicero (De Orat.
2. 124) ; cp. also 7. 8 diloricatis statim
pannulis. The cruelty of Roman mis-
tresses to their female slaves is known
from Juvenal 6. 474 ff.
94
CUPID AND PSYCHE
[VI. 10
aceepto frumento et hordeo et milio et papauere et cicere et
lente et faba commixtisque aceruatim confusis in unum
grumulum sic ad illam : " uideris enim mihi tarn deformis
ancilla nuUo alio sed tantum sedulo ministerio amatores tuos
6 promereri : iam ergo et ipsa[m] frugem tuam periclitabor.
discern e[re] seminum istorum passiuam conger ism singulisque
granis rite dispositis atque seiugatis ante istam uesperam opus
expeditnm approbate mihi."
Sic assignato tantorum seminum cumulo ipsa cenae nupti-
10 ali[s] concessit. ne lanosum aurum repperies, quod passim stirpibus
coniiexis obhaereseit."
13 Sic arundo simplex et humana Psyehen , aegemmam
B salutem suam docebat. nee auscultatu paenitendo diligen-
ter instructa ilia cessauit, sed obseruatis omnibus furatrina
f acili flauentis auri moUitie eongestum gremium Veneri reportat.
nee tamen apud dominam saltern seeundi laboris periculum
secundum testimonium meruit, sed contortis superciliis subri-
10 dens amarum sic inquit : " nee me praeterit huius quoque facti
auctor adulterinus. sed iam nunc ego sedulo periclitabor, an
1 attigui .
2 nemoris iip man. reo. : nemori F Psyche, quamuis
praesenti corpore, sensibus tanien aberat et mextricabilis
periculi mole prorsus obruta lacrumarum etiam extreme
6 solacio earebat.
1 & Nee Prouidentiae bonae graues oculos innocentis animae
latuit aerumna. nam ^ postea manus recens correxit potantes:
mirantes cod. Dorvillanus.
lated. For feslinare with the supine,
cp. De Deo Sooiatis, p. 109 Oud. {= 3.
8 Goldbacher) coruus et uulpes unam
offulam simul uiderant eamqtte rapium
festinaiant : ep. Sallust Hist. Frag.
3. 82, § 16 (= p. 284 Kritz) uUroque
Hceniiam in ztos auctum atque adiuium
properatis. Neque nunc iios ultum in-
iurias Aortor; ib. 5. 18 (= p. 367
Kritz) uideo indigeniiam dona quaesitwn
gratiae properantem. These sufficiently
justify both the use of the supine and
that supine governing a case: for the
latter compare also Terence Eun. 752
Nam haec east quam miles a me «i nunc
ereptum uenit. For the genitive after
eomphtum, op. 9. 3 aquae recentis com-
pletam peluem ; Cic. Verr. 5. 147 cum
completus iam mercatorum career esset.
Higtius (quoted by Oud.) and Leo
propose adrepta complexaque (Higtius
adding, however, eaque before adrepta).
This makes the sentence quite smooth ;
but the alterations are considerable.
Other conjectures are cowplexa nngue
(Jahn), comphxa/mque (Modius, Helm),
adrepium compleiumqiie (Weyman).
nutantium] ' balancing his vast
swaying pinions ' ■ cp. Flor. 2 ctmi
igitur eo sese aquila extulit mitu dementi
laeuorsum iiel dextrorsum tanta mole
corporis lahitur. This defends nuian-
tiiimy and renders unnecessary the
emendation of Heinsius nutantium.
Cp. also Catullus 66. S3 unigena
impellens nutantibus aera pennis obtulit
Arsinoes Gypridos ales equus (where
Beutley needlessly alters to nictan-
tidus). Heinsius changes molibus to
motibus ; but the passage from the
Florida justifies the reading of F'
and ego diuinae fornionsitatis gerula, quae
6 delicatum v : dedicatmn Fi/i.
10 obseruatis F>, sed u lineola deleto.
14 inepta ego > : inepteego P, sec go deleuit alt. manua.
infernum.decurrit meatam] 'hastily
traversed the pathway to the Shades.'
For this cognate ace. op. Verg. ^n.
5. 862 currit iter tutum; 3. 191
currimus aequor. Bolder is decurre
laborem in Georg. 2. 39.
asinario] called agaaone in 6. 18.
amnica stipe] 'the ferry-toll.' For
amnicua cp. Vopisc. Aurel. 47. 3 navi-
ctilarios NiUacos aptid Aegyptum novos
et Momae amnicoa posui.
neo . . . uel] This use of uel, where
we should expect nee, is common in
Apuleius: see 5. 19 nee . . . uiri mei
uidi Jaciem uel omiiino euintia sit noui
(cp. 3. 11); 10. 10 nee rota uel eculeus
. . . iam deerant ; 11. 22 ; 11. 30 (bis).
Less unusual are passages where uel is
repeated, as 5. 11 certe de marito nil
quidquam uel audiaa uel respondeaa;
cp. 5. 12. For further see Koziol,
p. 322.
delicatnm] 'luxurious," soft.' The
older editors rightly collected the mss.
dedicatum : see c. 19 molliter assidere.
The word delicatua is a favourite with
Apuleius : cp. 5. 10 delioatas mantis ;
5. 22 plumulae tenellae et delicatae ; 5.
25 ; 9. 33 ; 10. 20, 32 ; Apol. 4. 19.
cibario pane] cp. note to 6. 11.
offalae seciuentis fraude] ' by the
beguilement of the second cake.' For
sequena F. Norden compares 5. 27 nee
uindietae sequentis poena tardauit.
longe uegetior] This gracefully
expresses the sense of exhilaration we
all feel when some dismal work is
successfully accomplished. Tl.e word
is especially used for the feeling of
refreshment after sleep : cp. 9. 3.
mentem capitur] We find mente
captua often (e.g. Cic. Cat. 3. 21), and
capiua animi in Tacitus (Hist. 3. 73),
but I do not know of any other ex.
of the ace. Yet it is of exactly the
same nature as (say) Verg. ^n. 5. 869
caauque animum concussua amiei ; cp.
Eoby, § 1126.
116 CUPID AND PSYCHE [yi. 21
nee tantillum quidem indiclem mihi delibo uel sic illi amatori
meo formonso placitura," et cum dicto reserat pyxidem.
*1 nee quicquam ibi rerum nee formonsitas uUa, sed
infernus somnus ac uere Stygius, qui statim coperculo reuelatus
6 inuadit earn crassaque soporis nebula cunctis eius membris
perfunditur et in ipso uestigio ipsaque semita conlapsa ibetur,
accumbebat summum torum maritus, Psycben gremio suo
eomplexus. sic et cum sua lunone luppiter ac deinde per &
ordinem toti dei. tunc poculum nectaris, quod uinum deorum
est, loui quidem suus pocillator ille rusticus puer, ceteris uero
Liber ministrabat, Vulcanus cenam coquebat ; Horae rosis et
ceteris floribus purpurabant omnia, Gratiae spargebant balsama
Musae f quoque canora personabant ; Apollo cantauit w
3 exhibetur (p al. man. . exibetur Fp.
ambrosia see 5. 22. In Ovid Met. 14.
607 Ventis ambrosia cum dulci nectare
mixta contigit os (so. of .Slneas) fecitque
deum. No parallel can be adduced for
the meaning of 'immortality,' assigned
to ambrosia by Eodius, though Mart.
Cap. 2. 141 (op. 1. 34) has immortali-
tatis poculum.
nuptiae] With the whole scene
Hildebrand vrell compares the mamage
of I'hilologia and Mercury in Martianus
Capella 2, § 140 f.
34 'Sea mora cum . . . exhibetur]
cp. 6. 18. This phrase is generally
found with the present indicative, e.g.
4. 10; 5. 6; 11. 7; but it is followed
by the perfect twice in 3. 2 cuncta
comphta (but the present occipiunt
follows) : populus compleuit ; and once
by the future 6. 18 uenies. For another
parody of a banquet of the gods, cp.
Lucian Icarom. 27. The model is at
the end of Iliad i.
cena nuptialis] Here used in its
literal sense. For the general sense of
'banquet,' not necessarily 'marriage
feast,' see 6. 11.
affluens] 'abundant': 2. \9 ristis
affluens; Tac. Ann. 15. 54 adflitentius
solito conuiuium.
summum toriun] This seems to have
been the right corner seat {dextrum
comu) of the aigma: cp. note to 5. 3.
It was the place of honour. The second
place of honour was the sinistrum comu,
and here Jupiter and Juno had their
places. See some interesting examples
quoted by Mnrquardt-Mau, 'Piivatleben
der Romer,' i., 307, 308.
toti dei] = omnes dei : op. 8. 2 fin. ;
9. 36 med.
pocillator] cp. 6. 15.
Vulcanus cenam coquebat] We do
not find Vulcan engaged in this duty
elsewliere ; but it is appropriate to the
god of fire, in bo far as that element
was employed for useful pui-poses.
purpurabant] ' crimsoned all things.'
The word is neuter in 10. 22 labias
ambroseo rore purpurantes . Gellius
(18. 11) quotes a fine passage from
Furius Antias, in which occurs the
line spiritus Eurorum uiridis cuinpur-
purat undas.
f quoque] This word is probably
in error, as it breaks the asyndeton.
Gulielmiis suggests voce, which has a
certain similarity of sound to quoque.
Possibly the original was choro: cp.
Val. Flacc. 5. 693 Tunc adsuetns adest
Fhkgraeas reddere pugnas Musarum
chorus et citharae pulsator Apollo ; and
Miirt. Capella 2. § 117 Ecce ante fores
quidam dulcis sontts . . . cietur quern
122
CUPID AND PSYCHE
[VI. 24
ad e[h]it^aram, Venus suaui musieae superingressa formonsa
saltauit, seaena sibi si Voluptatem nomina-
mus."
1 quam f0 : qiia F.
nominamua ^ : «o » « « » | ininam; F {" o ex « alia manus iit uidetur refingendo
effecit : uoluerat soribere nunewpamua " Helm).
fahtila, explicit F in marg. : explicit fabula v ' Api.(TTei8o>v
Mik-rjcnaKuiv (Plutarch, Crassus 32). As examples of Milesian tales
may be taken Babrius 116: Phaedrus 3. 10: Petronius 85-87:
111-112 : 140 : and Apuleius 9. 5-7 : 9. 17-21 : 9. 26-28.
Collections of these kinds of stories in the Middle Ages, some-
times with edifying " morals," are to be found in the Gesta
Eomanorum and the Decameron.
' Cp. Capit. Albin. 12. 12 : TertuUian, De Anima 23, calls the Valentinian
theories of the generations of the Aeons historias et Mileaiaa ('fairy-tales').
Aeonuin.
^ Cp. Met. 1. 1 fin. fabulam Graecanicam incipimus. Lector, intende :
laetaberis. Also St. Jerome, quoted by Biicbeler, op. cit. 241 nullus tarn
imperitus scriptor est qui leetorem non inueniat similem sui, multoque pars maior est
Milesias fabellas reiioluenlium quam Flatonis libros. In altera enim Mus et oblec-
latio est, in altera difficultas et sudor mixius labori.
EXCURSUS II
ALLEGOEICAL EXPLANATIONS OF THE TALE.
FuLGENTius Planeiades, a writer of the fifth century, in the third
book of his work called Mythologiarum libri tres gives the following
summary of the story of Cupid and Psyche (p. 66, ed. Helm) ; and
the influence of both the language and style of Apuleius on it is
obvious : —
" VI. Fabula deae Psicae et Cupidinis.
" Apuleius in libris metamorfoseon hanc fabulam planissime
4esignauit dicens esse in quadam ciuitate regem et reginam, habere
tres filias, duas natu maiores esse temperata specie, iuniorem uero
tarn magnifieae esse figurae quae crederetur Venus esse terrestris.
Denique duabus maioribus quae temperata erant specie conubia
euenere ; illam uero ueluti deam non quisquam amare ausus quam
uenerari pronus atque hostiis sibimet deplacare. Contaminata
ergo honoris maiestate Venus succensa inuidia Cupidinem petit, ut
in contumacem formam seueriter uindicaret. Ille ad matris
ultionem aduentans uisam puellam adamauit ; poena enim in
affectum conuersa est, et ut magnificus iaculator ipse se suo telo
percussit. Itaque Apollinis denuntiatione iubetur puella in montis
oacumine sola dimitti et uelut feralibus deducta exequiis pinnato
serpenti sponso destinari ; perfeeto iamque coragio puella per
montis decliuia zephiri flantis leni uectura delapsa in quandam
domum auream rapitur, quae pretiosa sine pretio sola consideratione
laude deficiente poterat aestimari, ibique uocibus sibi tantummodo
seruientibus ignoto atque mansionario utebatur coniugio ; noote
enim adueniens maritus. Veneris proeliis obscure peractis, ut inuise
uespertinus adueuerat, ita crepusculo incognitus etiam discedebat.
Habuit ergo uocale seruitium, uentosum dominium, nocturnum
commercium, ignotum coniugium. 8ed ad huius mortem deflendam
sorores adueniunt montisque conscenso caoumine germanum lugubri
uoce flagitabant uocabulum, et qiiamuis ille coniux lucifuga sororios
ei comminando uetaret aspectus, tamen consanguineae earitatis
inuincibilis ardor maritale obumbrauit imperium. Zephyri ergo
ALLEGORICAL EXPLANATIONS OP THE TALE 129
flabrantis aurae anhelante ueetura ad semet sororios perducit
affectus, earumque uenenosis consiliis de mariti forma quaerenda
consentiens curiositatem, suae salutis noueream, arripuit et
facillimam credulitatem, quae semper deoeptionum mater est,
postposito cautelae suffragio arripit : denique eredens sororibus se
marito serpenti coniunctam uelut bestiam interfectura nouaculam
sub puluinal abscondit lucernamque modio contegit. Cumque
altum soporem maritus extenderet, ilia ferro armata Ivieernaque
modii custodia eruta Cupidine cognito, dum inmodesto amoris
torretur affeotu, scintillantis olei desputamento maritum suceendit,
fugiensque Cupido multa super curiositate puellae inorepitans domo
extorrem ao profugam derelinquit. Tandem multis iactatam
. Veneris persecutionibus postea loue petente in coniugio accepit."
As the text of Pulgentius has afforded, and may possibly afford,
still further assistance in emending the text of Apuleius, the narra-
tive has been given in Latin. Fulgentius then continues : —
' ' I might here relate the whole course of the story, how she
descended to the Lower World, and filled an urn with Stygian
water, and took spoil of their fleece from the flocks of the Sun, and
separated a commingled heap of different seeds, and took prema-
turely a portion of Proserpine's beauty and came near to death
(moritura praesumpserit) : but because in abundant wise Apuleius in
almost two whole books has related these heaps of unrealities
(falsitatum), and Aristophontes of Athens in his work called
Dysarestia [or Dissatisfaction] has narrated this legend at enormous
length for those who want to learn it, I have thought it superfluous
for this reason to insert in my book what has been systematically
related by others, lest I should remove myself from my proper
work, and devote myself to the subjects treated by others ; but that
the reader of the story may come to my point of view, and learn
what all this unreality pretends to signify [here is the explanation].
" They have considered that the 'city' is as it were the World,
and the King and Queen to be God and Matter. To them they
assign three daughters, the Flesh, Spontaneity {iiltronietatem),
which we call Free Will {libertatem arbitrii), and the Soul — Psyche
in Greek means the Soul. The latter they assumed to be the
youngest, for (they say) the body is already made when the soul
is inserted into it ; and it is the most beautiful, as it is superior
to Free Will and nobler than the Flesh. Venus, that is Lust,
envies her, and sends Desire to work her ruin. But whereas Desire
is both of the good and of the bad. Desire falls in love with the
130 EXCUESUS II
Soul, and mingles therewith in 'a kind of union, and persuades
the Soul not to look upon his face, that is, come to an under-
standing of the delights of Desire (whence it was that Adam,
although seeing, did not see that he was naked until he had eaten
of the tree of concupiscence), nor yield to her sisters, that is,
the Flesh and Free Will, in completely gratifying her curiosity
about his shape. But, terrified by their insistence, she takes' the
lamp from beneath the bushel, that is discloses the flame of desire
hidden in her breast, and when she sees it so delightful, regards
it with love and passion ; and it is said to have been burned by
the spirting of the lamp, because every desire burns in proportion
as it is loved, and affixes the stain of sin {peccatricem maculam) to
its own flesh. Then inasmuch as she is in a sense rendered naked ,
by desire (quasi cujnditate nudata},' she is deprived of her mighty
fortune, and is tossed about by perils and expelled from herpalace.
But as it would be tedious, as I said, to go through all details,
we have given the lines on which the signification can be appre-
hended ; and if anyone reads the story itself in Apuleius, by means
of my course of explanation, he will understand the remaining
points of the story which I have not mentioned."
Another more modern explanation of the story is given by
Hildebrand, who seems to think that Apuleius obtained this
allegory from some mystic worship into which he had been
initiated (p. xxviii. &.). Psyche is the pure soul as it descended
from Heaven. It is beloved by the Heavenly Love. Venus is
Fate, who envies this blessedness, and sends base desires and
envyings— these are the sisters — to thrust Psyche from her high.
estate. Persuaded by them, she does injury to Pure Love (Aiiiorem
eastum uiolat), who flies from her. She wanders forth, and meets
with many trials, in all of which she is both upheld by the longing
for union with Love, and is assisted by that Love, until at last she is
translated to Heaven, and dwells in eternal bliss with her former
spouse.
But in the case of allegory quot homines tot sententiae. Nearly
every one has a different explanation — often indeed with features of
rare beauty, e.g.,Lange (quoted by Hildebrand, xxxiif.) interprets the
voices that wait upon Psyche, the unseen music that delights her,
' Possibly we should read elicit for eicit of the mss. Michaelis conjectures.
emit ; en. above htcemaqice . . . eruta,
'^ I am not at all sure that this is what Fulgentius means.
ALLEGOEIOAL EXPLANATIONS OF THE TALE 131
as indicating the music of the spheres, heard only by the pare soul
when divested of its ' muddy vesture of decay.' A vast number of
such explanations are given by Hildebrand. The allegorical
method has, however, since Priedlander's essay {Sittengeschichte
Boms i°, 522-563) gone out of fashion ; and it may suffice to mention
the last example of it in a first-rate scholar, that of Zeller, who
says that Apuleius in his Cupid and Psyche has treated in the
manner of a story the longing of the fallen Soul for reunion
with its good Spirit, or even with God (Phil, der Griechen iii. 2',
p. 228).'
' The long book of Dr. Adolf Zinzow Psyche und Eros, ein milesisches Miircheti
in der Darstellung und Auffaasung des Apuleius beleiiehtet und auf seineii mylho-
logisehen Zusammenhang, Behalt und Ursprung zuriiekgefiihrt, Hallv, 1881,
seeks to demonstrate that there is a mystical meaning in the narrative as told by
that great pryer into mysteries, Apuleius. The work seems to exhibit gjeat
erudition ; but as I felt it would not be likely to convince me, 1 have never had
the courage to do more than glance at it.
EXCURSUS III
THE POEMS OP MELEAGER ON LOVE AND THE SOUL
Mbleager was a native of the Syrian town of Gadara, and lived
early in the first century b.o. He composed the first Anthology of
Greek poems and called it his Crown. The principal poets are
enumerated in Anth. Pal. 4. 1. One hundred and thirty-four
epigrams of Jiis still exist. He influenced many Eoman poets,
especially Propertius. Mr. Mackail {Select Epigrams from the
Anthology, pp. 37-39) has an eloquent estimate of his genius. In
Meleager Mr. Mackail sees the Greek spirit touched by Oriental
passion. Love is no longer a mere emotion, it has become a
religion. His art is not the restrained and severe Greek art, but
" the touch of Asiatic blood creates a new type, delicate, exotic,
fantastic "; but withal " the beauty of his rhythms and the grace of
his language never fail."
T^v iripLvri^Oji.ivrjV ij/vxrjv ^v TroXXa/fi Kairj%,
piov
yap Srj ovTio ti 6 IIoA.ejtKoi', (is iroA.€crt fiiv airo tov irpov^ovTOi, SvvaffTats
8' OKO rov p.-q v intrahens gressus cubile solitum conscenderit
iamque porrectus et exordio somni prementis implicitus altum
soporem flare coeperit, toro delapsa nudoque uestigio pensilem
5 gradum puUulatim minuens, caecae tenebrae custodia liberata
lucerna, praeclari tui facinoris opportunitatem de luminis
consilio mutuare et ancipiti telo illo audaeiter, prius dextera
sursum elata, nisu quam ualido noxii serpentis nodum ceruieis
et capitis abscide. nee nostrum tibi deerit subsidium; sed
2 sulcatos (/) (sed man. alt.) : sulcata F^. 9 abscide y. : ahseinde F<^.
SQicatos intrahens gressna] ' draw-
ing along his furrowed gait ' — an
artificial expression for the crawling of
a serpent, which leaves a furrow be-
hind : op. Ovid Met. 15. 725 Litoream
iractu squamae erepitantis harenam sul-
cat. For intrahens cp. 11. 23 sol
euruatus intrahebat uespermn. Helm
ingeniously conjectures sulcata intrans
gressu : but one is loth to remove the
Apuleian word which signifies the
trailing gait of the serpent ; sulcata
intrahens se gressu would be better.
et exordio . . . coeperit] ' and
fettered in the first toils of overpowering
sleep, he had begun to breathe forth the
depth of slumber.' The expression
seems taken from Vergil, Mn. 9. 326
toto projlabat peetore somnum, itself per-
haps taken from Theocritus 24. 47
Sfxwas . . . vTTvov Papbv eKtftutravTas.
Servius says that the Vergilian peri-
phrasis is a dignified expression for
' snoring ' {ne uerba humili stertentem
diceret).
nudoiiue . . . minuens] ' and with
bare feet lessening little by little your
airy tread.' For the form puUulatim,
cp. 2. 16 relietum (uinum) puUulatim
labellis minuens. In both places Funek
in Archiv vii 495, thinks we should alter
to paullulatim, as does apparently Neue-
Wagener, ii'. 558. The diphthong -au-
would naturally pass into o : cp. pallulus
in Cato, and Varro (L. L. 5. 167), and
plostrum beside plaustrum. Possibly
we should read pollulatim, as n is
sometimes found for o in F^ ; cp. 6.
10 rurieula for ruricola ; 4. 31 ealeatu
for cnlcato. But as emendation is un-
certain, it is better to retain the ms.
reading. The idea seems to be that
Psyche should go more and more slowly,
each step less than the preceding, so
that there should not be any danger of
a hasty action which might cause a
disturbance, and so awake her victim.
tenebrae] The singular is very rare.
Neue-Wagener, i'. 712, quotes five
examples, of which this is the earliest.
For such an unusual singular in Apuleius,
Piechotta (p. 32) compares /««<»«, Apol.
56 (cp. Plant. Stich. 729). It is pro-
bably an error to suppose that caulae is
singular in Met. 4. 6.
de Inminis consilio] 'as the light
may suggest to you.' For de cp. 2. 31.
quam ualido] ' with ever so mighty
a stroke.' This use of quam with an
adjective, participle, or adverb is not
infrequent in Apuleius: cp. 3. 5 (quam
marihus animis) ; 4. 3 (loro quamualido);
5.16 {quam eanoolares); 9. 19 {quamprocul
semotus) ; 11. 30 (quam raso oapillo).
noxii . . . abscide] 'cutoff the joint
of the baleful serpent which binds his
neck and head.' The mss. give abseinde ;
but as abscindo and abscido are often
V. 21]
CUPID AND PSYCHE
53
cum primum illius morte salutem tibi feceris, anxiae praesto-
labimus eunctisque istis ocius tecum relatis uotiuis nuptiis
hominem te iungemus homini."
^1 Tali uerborum incendio flammata uiscera sororis iam
prorsus ardentis deserentes ipsae protinus, tanti mali confinium 5
2 ocius V : sociis Ftp : opibus cod. Oxon. 5 ipaae v : ipsa F : ipsain >.
confused, it is better to alter to the
word which suits the sense ; the vertebra
is to be cut, not torn away: cp. 4. 11
antesignani noatri partem qua manus
umerum suhit, iotu per articulum medium
temperato, prorsus ahscidimus ('cut clean
oif '). The word is often used of cutting
through the neck and so cutting off the
head : Bell. Hisp. 20. 5; Amm. 14. 11.
23 ; Sil. 15. 470 ; Lucan 8. 674. On
abscido and abscindo see an exhaustive
article by Fiirtner in the Archiv, 5.
520-533. In Tac. Ann. 15. 69, abscin-
duntur uenae (cp. 16. 11 and interscindere
35. 5), abscindere seems to be used in the
sense of ' to cut.' What Ap. here calls
nodus, Seneca, De Prov. 6. 8, calls com-
missura ceruicis and articulus ille qui
caput eollutnque committit. Price com-
pares Horn. II. 14. 465 riv p' l$tt\tv,
Ke delapsum euolasset. iamque
lassa, salute defecta, dum saepius diuini uultus intuetur
4 nouaeulam paenitebat Lipsius : nouacula praenifebat F0.
8 temerariis iculis et manibus infelicissimae coniugis tacitus auolauit.
S4 At Psyche statim resurgentis eius crure dextero
manibiis ambabus a^^repto sublimis euectionis adpendix miser-
anda et per nubilas plagas penduli comitatus extrema eonsequia
tandem fessa delabitur solo. lo
Nee deus amator humi iacentem deserens inuolauit proxi-
3 deum v : dmh F : dm f : diyiii (p.
6 osfnlis Crusius : oeiilis F(/>.
8 adrepto v : airepto Ftp.
hem . . ministerium] 'ah! bold,
rash lamp, common drudge of Love.'
capitis] 'the objects of desire' —
often used in this amorous sense. The
Diott. quote Orid Fast. 3. 21 Mars nidet
hanc iiismnqne cupit potiturqite cupila.
nisaqtie detectae fidei collnnie] < and
seeing the ruin of his trust now dis-
closed.' The expression is no doubt
not strictly accurate. The bond between
Oupid and Psyche was broken, but not
disclosed : the secret who was the
mysterious husband was disclosed ; but
as this disclosure was the principal and
most striking result of Psyche's rash
action, it is emphasized. Accordingly
it seems better to adhere to the mss.
reading detectae than to alter to defeetae
(JTahn), ' ruin of his trust which failed';
or detreetatae (Vliet), ' ruin of his sullied
trust'; or detectae (Petsohenig), ' of his
trust thus shattered'; or deceptae (Helm),
' of his trust betrayed.' In favour of
defeetae, however, may be urged the
partiality of Apuleius for tlie word; cp.
chapter 22.
protinus] So Bohde, introducing a
word of which Apuleius is very fond,
in place of prorsus of the mss. Cupid
did not ' wholly ' escape from Psyche ;
for, as the next sentence shows, she still
grasped him by the leg.
OBcnlis] So Crusius for onilis of the
mss. He and Vliet quote Gell. 3. 15. 3
Diagoras . . . in osculia atque in manibus
Jiliorum animam effiauit (where one ms.
reads octilis); also 4. 31 above, oculis
for oseulis.
34 sublimis euectionis . . .conseqnia]
'a pitiable appendage to his airy flight,
and forming the final attachment to him
in her pendant companionship through
the cloudy realms ' (with the sense that
this was the last time she would follow
with him). The expression is artificial
even to extravagance. For appendix
cp. 8. 22 seque per . . . puleum appen-
dicem paruulum (i.e. her infant son)
trahens praecipitat. The rare word
eonsequia is to be compared with such
forms as reliquiae, oisequiae, exsequiae :
cp. 10. 18 earpentis quae . . . nouissimis
trahebantur ennsequiis, ' by those who
followed him in the rear.' Strictly the
word is an adjective. We have the
adv. consequie or consecue in Lucr. 5.
679 and adsecue in a fragment of the
Astraba of Plautus.
60
CUPID AND PSYCHE
[v. 24
mam cupressum deque eius alto cacumine sie eam grauiter
commotus adfatur :
"Ego quidem, simplicissima Psyche, parentis meae Veneris
praeceptorum immemor, quae te miseri extremique hominis
e deuinctam cupidine infimo matrimonio addiei iusserat, ipse
potius amator aduolaui tibi. sed hoc feci leuiter, scio, et
praeclarus ille Sagittarius ipse me telo meo percussi teque
coniugem meam feci, ut bestia scilicet tibi uiderer et ferro
caput excideres meum, quod istos amatores tuos oculos gerit.
10 haec tibi identidem semper cauenda censebam, haec beniuole
remonebam. sed illae quidem eonsiliatrices egregiae tuae tarn
perniciosi magisterii dabunt actutum mihi poenas, te uero
tantum fuga mea puniuero." et cum termino sermonis pinnis
in altum se proripuit.
cupressum] governed by the in- of
inuolarit, for other examples of this
in Apuleius cp. 5. 4 init. mnus aures
eius accedit ; cp. c. 3 fin. uox aures eius
affertur; and 9. 16 init.; c. 5 init.
seopulum . . aderunt. On 9. 16 Hilde-
brand quotes many examples of the
accusative of place used without a pre-
position : 7. 1 eastra nostra remeastis ;
7. 13 eiuitatem reuenimtis. It is un-
certain under which construction to
place such usages as 9. 41 eiuitatem
aduentat.
te . . . addiei] 'that you, enthralled
with passion for a wretched and most
mean wight, should be consigned to the
lowest of marriages'; cp. 4. 31.
amatores tuos oculos] ' those eyes,
love-lit for thee.' Norden refers to
c(p6a\fiol ipuTiKoi in Xenophon Ephesius
i. 9. 7.
haec... remonebam] 'Thatyoushould
be ever on your guard as to this I again
and again told you as my deliberate
opinion ; this kindly warning I kept
repeating to you.' Cupid had not said
what the haee were ; but neither Psyche
nor the readers of the story could be
ignorant that they were prohibitions
against inquiring into who he was.
I'he word semper goes closely with
cauenda, 'ever-to-be-guarded against';
accordingly we need not transpose
identidem to precede heneuole (Vliet),
nor read praeeauenda for semper cauenda
(Michaelis) . Rohde ejects semper ; sup-
posing that it was originally saepe, and
a gloss on identidem. The word remonere
is rare, if not unique. It seems to
mean that the warning was given more
than once.
magisterii] ' instruction,' ' guidance ':
Cupid's part in the punishment of the
wicked sisters does not appear, accord-
ing to Dietze ; it is Psyche who is
instrumental in their death. If we
made this objection to Apuleius, he
might have smiled and replied that
Cupid was indirectly instrumental, by
giving no orders to Zephyr to convey
them from the rock ; and that it was
love of him which wrought their death.
puniuero] The fut. perf. does not
here differ in sense from the fut. simple;
cp. Koby, § 1485.
et cum termino] cp. note to 6. 20 fin.
pinnis in altum se proripuit] ' swept
himself aloft on his pinions.'
25]
CUPID AND PSYCHE
61
?5 Psyche uero humi prostrata et, quantum uisM poterat,
uolatus mariti prospiciens extremis affigebat lamentationibus
animum. sed ubi remigio plumae raptum maritum proceritas
spatii fecerat alienum, per proximi fluminis marginem prae-
cipitem sese dedit. sed mitis fluuius in honorem dei scilicet, 6
qui et ipsas aquas urere consueuit, metuens sibi confestim
earn innoxio uolumine super ripam florentem herbis exposuit.
tunc forte Pan deus rusticus iuxta supercilium amnis
sedebat complexus [h] Echo mopremi louis regalis ales ilia repente
propansis utrimque pinnis afifuit rapax aquila memorque
2 lapidem > man. rec. : lupide F^ : lapide f.
3 inextricahilis v : his exiricabilis Ftp.
i
7 supremi Modius : pmi F^.
tious with the indicatiye are found in
Apuleius, e.g. 2. 22 nee satis quisquam
definire poterit quantas latebras . . .
mulieres . . . eomminiscuntur. Hilde-
brand on 1. 25 quotes many examples
from Amobius and one from Fronto
(ad Varum 1. 3 = p. 116, Naber) muUmn
fi'atrem meum ohiurgaui cur me non
reuocuuit (which, howeyer, Heindorf
has altered to reuocarit). But the
punctuation adopted is the usual one,
and is far more picturesque.
mntata in lapidem] cp. 3. 10 Jixus
in lapide sarcinae fustioulos
aliquos porrigas ei, sed tu nulla uoce deprompta tacita
1 directo v : direpto F